On July 25, I attended the world premier of John Luther Adams’s “Sila: The Breath of the World” at Lincoln Center.
It’s a grand, immersive work. The musicians were arrayed everywhere around the plaza: on the elevated lawn, in the reflecting pool, surrounding and amongst the audience, wherever. Unfortunately, they didn’t put anyone atop the Henry Moore sculpture.
The audience was encouraged to move around during the performance, to experience varying vantage points. But, as with many such things in New York City, it was far too crowded for anyone to do that. Luckily, I had a good spot in the trees right behind the string players, who were generally the quieter instruments (compared to percussion, brass, woodwinds, and singers with megaphones).
(I also sketched Adams’s “Inuksuit” in Morningside Park a few years ago—maybe I’ll get around to sharing those sketches someday—and that really required the audience to move around, as it took place in a much larger area; and it was on a Tuesday in a “marginal” neighborhood.)
Here’s a few pages of sketches I made, including a bit of the composer’s very informal post-concert talk as he greeted well-wishers.
Afterwards, I wandered over to Damrosch Park where Eighth Blackbird was performing and did a quick sketch of them. I didn’t have to move as fast as the band though; some of them had performed in “Sila” and then had to hustle to their own performance immediately following. Real troupers! I especially enjoyed their juxtaposition of Tom Johnson’s Counting Duets and György Ligeti’s Études.
Thanks Lincoln Center Out of Doors for putting on so much great free programming every summer!